I don't know, we'll just see what happens.
Yeah. I'm very proud to be in this film
with Jessie. It was pretty an intense, like
. Yeah, emotional experience in lots of ways,
you know, in some ways, when you watch
a film for the first time, you're being flooded
with memories, but also you're getting new memories because
it now, you know, it's been through an
edit. There's like sound, there's like a grade
, there's like so many things that has elevated something
that you are unconsciously inside of, and so you
have a kind of like a 3 degree. Burns
experience. And then I guess, seeing this family
, seeing this mother, whilst also being on the
precipice of becoming a mother myself and um was pretty
extraordinary and very intense and I I, I sobbed
, but I, it was a lot. It
was, it was, yeah, beautiful. I
find that young people, especially children, are actually
easier to work with in those kind of emotionally charged
. Environment because most of them are closer to The
animal part of us, you know, they're very
instinctual and they're in the present moment. So,
once they go through the scene, they shake it
off. I actually find the adults are the one
that we have to pay extra attention to because as
adults, we're more likely to attach narratives to these
emotions and feelings. Like Jacobi's a little, like
he's a 40 year old man trapped in an 11
year old's body, you know, he's, he's
very wise and Um, very emotionally intuitive, as
is Olivia and as is Bodie, I think we
were blessed. How grief connect. Us, connects
us as human beings, how grief and loss makes
, makes us more compassionate towards each other, makes
us more likely to see. From each other's perspective
. Um, connects us as much as joy does
, if not more. I try and take my
hands off the wheel by the time we get into
the scenes and just let the. Relationships in the
world, you know, influence whatever comes out,
um, and coming out of it, I,
I have a very simple life and coming out of
it is like getting in a car, going home
, making a slice of toast, uh, having
a cup of tea, um. I think you
have to have a light touch with this with work
, you know, have intention, but the lightest
of touches, and, and I don't necessarily want
to, I, I, I never want to
let go of these things because they've been such gifts
to like wake up in towards the world in it
, and all of the characters that I've played are
etched deeply into my heart. Um, so it's
not about coming in and out of it. I
think it's just about being really, yeah, when
you make the this film with like. Huge amount
of love, and I think it it it it's
always satisfying to see that it's not only to discussing
awards, but to feel like the audience, the
film is resonating with an audience is incredibly satisfying.
And I'm just very, I'm very proud to be
in this film with Jessie and to be. Right
next to her in terms of watching her deliver this
performance, but, but, but of course it
is satisfying and um. Exciting to be to to
to be in those conversations because hopefully it means that
there'll be a longer life for this film with with
with with audiences for sure. The year with of
Nomadland, it was very unique year because it was
during the pandemic. So I had a, I
had a very different experience than I am experiencing right
now. I couldn't be with people. So,
this feels like a new experience to me. I'm
trying to just sit in it and get into the
river and be proud as punch to put this film
out and also be beside other great films that have
been made and other great performances that have been created
, and I don't know, we'll just see what 00:04:27.470 --> happens.